I was supposed to be in Israel right now.
In Jerusalem, to be precise, in a beautiful hotel that costs way too much money, right outside the walls of the Old City. I might have been sipping tea on my terrace in the morning, planning my day, were things to have been different. I may have been different.
It was my fear of hot weather, not Hamas drones or teenage executions that caused my change in plans. Just the fear of being uncomfortably hot while walking around in a desert in July. It seems utterly ridiculous now, with what has transpired there in the last few weeks; a ridiculous reason to postpone a trip. But ridiculous is all I have, and it means that I’m not there.
I am here, instead, in Santorini, in another beautiful hotel that costs way too much money, having tea on my terrace, planning my day. Praying, as I might have also done in Israel; silent prayers for everyone who is where I was supposed to be, prayers of gratitude and relief for where I am.
I am surrounded by the colors of Greece: white and blue, contrasted only by the brown landscape of the unpopulated sections of the islands. White. Blue. Brown. To my left is a volcano that I see people climbing, perched high above as I am on my terrace. I don’t know when it last erupted, since I never read the travel guides. Before I left Italy last week, an Italian healer told me she does not like Santorini, because of the energy of the volcano. “Is bad,” she told me firmly, as fact. I can’t feel it though; rather, the island feels devoid of any energy at all, something to do with the absence of colors I think.
My eyes play tricks on me, adjusting to the beauty so that I am no longer sure if it’s real, or just something I imagined or something I once saw in a movie. The edges of my view soften, become hazy. I close my eyes periodically, longer than is necessary. When I reopen them, when I gaze back out on the white and blue and brown again, they re-focus like a camera lens, and separate the colors to once again form real things: church, ocean, volcano.
The stillness here is palpable. The ocean stretches in every direction with merely a few sun-reflecting ripples to indicate that it is moving at all. I know there is noise. There are people talking–German, French, Greek. There is a repeating loop of Lionel Richie and Hall & Oates songs playing at the pool bar. There are distant car horns beeping, and once or twice a day, a helicopter flies noisily overhead. But I stop hearing it as anything other than a white noise soundtrack to a tableau of stillness. The week stretches as endlessly as the ocean does. There is no Monday, or Tuesday here. There is just right now.
Can you be both wholly present, and completely lost in daydreams? Can you sit, with your chin in your hands, on a dock, waiting for a boat to arrive, and be both there and also very far away?
Maybe I am in Israel, too, after all.
I am writing stories in my head, stories that swirl around like the morning wind does here. Stories about beauty and color, and about life. I speak less, less than any other week in memory, so when I do speak, I don’t recognize the sound of my voice. It mimics the fragmented, accented English that I hear; it uses simple words designed to be understood when you only understand simple words; all verbs in the present tense. The benefit to using only simple words is that you say simply what you mean.
I am in Greece, and I want to speak Greek, and if I try hard enough, I can almost convince myself that I can.
I am somewhat disillusioned on my first visit to the small town of Oia, the northernmost tip of the island, to hear loud, American-accented English all around me. I crave the melodic sounds of Greek and Italian and Spanish melting together, not teenagers saying like and you know. I want to be an anonymous traveler of no origin, not someone who understands American teen. I want to be from wherever I have landed.
Sometimes it works. On our shared taxi ride to Oia, as we wind around the treacherous curves of the island road, the couple in the backseat speak haltingly to me, unsure if I can understand English. They don’t realize I know their accents. They don’t realize that I’ve been to their hometown in Long Island, that I lived less than an hour away from them for nearly a decade.
Sometimes it doesn’t work. I take a boat ride to some of the beaches only accessible by water. I am the only American, and the only one by myself. When we stop at one of the beaches, an older Greek man calls out to me as I walk alone along the shoreline. I think maybe he is afraid I cannot swim, and I can’t hear him, and I can’t understand him, but he gesticulates wildly enough to cause me to walk to where he is standing. He continues his sermon, his gestures getting bigger as I get closer. When I shake my head and say I don’t understand, he is puzzled. He asks, in Greek, don’t I speak or understand Greek? (I cannot say which he asks, since the only thing I did understand was the word Greek). I continue to shake my head and apologize until he stops me by gripping my shoulders firmly, looking directly into my eyes, and says about me, “Is nice. Is very nice.” I say thank you in Greek, one of my other known words, and continue my beach walk. Later he says, “Bye lady” as he helps me back into the boat, and waves at me as we drift away.
So I guess even when it doesn’t work, it still sort of works.
I want to write about all of my days here, because I want you to understand them.
I want to tell you a proper travel story about Santorini, so that you will know all about it. But I find that I don’t want to write about restaurants, or hotels, or hiking trails, or the list of all of the things you absolutely must do on your visit here. I don’t want to tell you all of my stories, the ones that have run through me for the past week.
Instead, I want to write, simply: White. Blue. Brown.
And I want you to just know what that means. What it feels like, what it looks like, what it is to be in Santorini.
I want you to write your own stories.
I was supposed to be in Israel.
I am meant to be here.